Anders Osborne

Fairfield, CT

Anders Osborne

Cris Jacobs

Thu · October 4, 2018

Doors: 7:00 pm / Show: 8:00 pm

$55.00 - $175.00

GoodWorks Entertainment presents Anders Osborne to Benefit SpreadMusicNow!

SpreadMusicNow transforms lives through music education by funding nonprofit and school-based programs that foster continual learning and put students on a clear path to college, career, and life success.

Between the potency of his richly detailed songwriting, his intensely emotional, soulful vocals and his piercing, expert guitar work, New Orleans’ Anders Osborne is a true musical treasure. A powerful live performer, Osborne has earned hordes of new fans. He has toured virtually non-stop, either with his own band, as a solo artist. Since his recording debut in 1989, Osborne has written virtually all of his own material and contributed memorable songs to a wide variety of artists.

Anders Osborne
Anders Osborne
At one point on his 2019 album, Buddha and The Blues, Anders Osborne sings,“Oh, it’s a miracle we still care. Oh, it’s so wonderful we’re still here. We’re still here!”
He’s not going anywhere either…
Osborne’s six-string virtuosity, inventive musicality, and poetic songcraft underpin an ever-expanding three-decade catalog celebrated by fans and critics alike. As a sought-after studio talent, his writing resounds through Keb Mo’s GRAMMY®Award-winning Slow Down, Tim McGraw’s number one “Watch The Wind Blow By,” and covers by Brad Paisley, Jonny Lang, Edwin McCain, Aaron Neville, and more. His output live and in the studio spans working with everyone from Eric Church, Toots and the Maytals, and John Scofield to The Meters, North Mississippi Allstars, and Galactic. His extensive touring history encompasses gigs, collaborations, and performances alongside everyone from Derek Trucks, Warren Haynes, and Stanton Moore to The Grateful Dead’s Phil Lesh and Jackie Greene. Not to mention, he lights up the screen on an episode of the HBO hit Treme. Plus, he has garnered acclaim from USA Today, Guitar Player, Relix, Offbeat, and more.

He also gives back whenever possible via the “Send Me A Friend” foundation and through writing music for New Orleans Children’s Museum. A pair of 2016 albums—Spacedust & Ocean Viewsand Flowerbox—maintained his prolific output at a record pace. Now, 2019’s Buddha and the Bluesreferences the full scope of the creative and personal duality at the heart of everything this maverick does.

“I came up with the title early on, so I knew what the vibe of the record should be,” he explains. “Buddha and the Bluesmeans the duality of our existence.”

As Osborne crafted the music, he pondered an existential struggle we all face. On the one hand, humans do good, but it’s under the expectation of personal gratification. On the other hand, they desire success and wealth, but they attempt to maintain an appearance of humility. This constant push-and-pull led him to write about “not getting lost in a sunken path or idolizing an intangible future, but instead to be present in this moment and to be fully alive.”
These thoughts filtered into the words, especially.
He goes on, “The lyrics are supposed to be true, conversational, and uplifting with clean, classic, and thumpin’ sounds. That’s what I set out to accomplish.”
In order to do so, he joined forces with “a world-class ensemble”of Waddy Wachtel [guitar], Bob Glaub [bass], Benmont Tench [keys], Windy Wagner-Cromwell [background vocals], and Chad Cromwell [guitar]. Chad also assumed the role of producer. Like “a big brother”to Osborne, the producer and artist leveraged years of friendship, trust, and creative kinship to “make a record [they] wanted to do for many years.”

“I didn’t have to push,” admits Chad. “It was his idea to let me ‘drive the bus,’so to speak. That allowed him to focus on songs and his performances. The freer he is to write, play, and sing; the better the record. He really trusted me. To trust someone to help you make a record is an act of faith. It’s a big responsibility to make sure that happens. That’s a mighty thing Anders did, and I appreciate his trust. All signs pointed to this team, this time, and this music.”
The setting proved to be as instrumental as the players did. From the beginning, Osborne envisioned making the album in California, but not the big screen vision of Hollywood. It made perfect sense to zero in on a location just far enough from the city. Ojai felt perfect to siphon the soul of SoCal into wistful sun-soaked soundscapes. You can practically hear Ojai in the aural fabric of the album.

“The Southern California vibe was essential to the record,” Osborne continues. “Early on, Chad and I agreed it had to be tracked out there. I’ve been wanting to do this for a while, and we needed to go out there. You can hear the influence. It’s played with a gentle breeze and tight precision. Cutting it in Ojai was crucial to achieving the right atmosphere. I usually write with a location in mind, so it helps me stay focused and guides me to craft a body of tunes rather than individual songs.”

That“body of tunes”kicks off with the dusty dynamics of “Alone.” In the pocket of a steady beat, the twang of clean guitar offsets his gruff delivery as the track unfurls towards a discordant guitar lead highlighted by organ.

“‘Alone’was a meditative prose I wrote in my backyard,” he says. “It had a circular vibe to it, When I added the music, I wanted it to match the poem: a small word with an epic impression.”

Elsewhere, “Escape” captures the tension prior to his California trip with its off-kilter groove and roots-y shuffle. A wail of slide guitar cuts through sunny strumming as an idyllic narrative unfolds on “Traveling with Friends.”
He adds, “I wrote ‘Traveling with Friends’on St. Thomas, Virgin Islands while on vacation with my family. We had an amazing spot on top of a mountain overlooking a big part of the island, and I felt inspired and really grateful. I had a moment of relief from all of my searching and dissonance. I saw us all for what we are—beautiful, fragile, and in this tumultuous space trip all together.”

He crafted the perfect soundtrack to the trip with Buddha and The Blues, illuminating his own duality like never before. The message ultimately becomes clear in the music.

“Learn to choose,” he leaves off. “Be happy or continue suffering.”
Cris Jacobs
Sounds Like: Outlaw swagger meets blue-eyed soul, with evocative, heartfelt songwriting thrown in for good measure.

For Fans of: Chris Stapleton, Sturgill Simpson, Ray LaMontagne

Why You Should Pay Attention: Cris Jacobs' 2016 album Dust to Gold snuck up on everyone, quietly announcing itself as one of the best roots-soul records in a year that also produced a new album from Sturgill Simpson. Its a a grooving slice of soul-country that should have show-goers dancing in the aisles He earned an opening slot with Simpson himself on the strength of his 2012 debut, and, though similarities between the two artists are hard to ignore, he has a singular voice all his own, one that should have him headlining his own gigs soon enough.
Venue Information:
The Warehouse at FTC
70 Sanford Street
Fairfield, CT, 06824
http://fairfieldtheatre.org/